Tuesday, March 27, 2018

Savoring Sakura on the Potomac

The 6821 Quintet concert at the National Gallery of Art, March 26, 2018
The 6821 Quintet performing at the National Gallery of Art, March 26 2018


For the last few years, the National Cherry Blossom Festival has been privileged to feature the 6821 Quintet, an ad hoc group of musicians, which was formed in 2015 and is comprised of members from Japan, New York and Philadelphia with through the support of the Ryunji Ueno Foundation. The 6821 Quintet derives its name from the distance between Washington, DC and Toyko, Japan.   This year’s ensemble is comprised of violinist Mayu Kishima, violinist Eric Silberger, violinist Meng Wang, cellist Clancy Newman and pianist Jason Solounias.


Sakura on the Potomac, which premiered at the 2018 National Cherry Blossom Festival was composed by Japanese composer and producer Kunihiko Murai.   Sakura is the Japanese word for Cherry Blossom Tree, which includes the twelve species of Cherry Blossom Trees that encircle the  Tidal Basin in the Nation's Capital since Japan’s generous gift to America in 1912.



The 6821 Quintet also played Songs of Spring and Portraits of Sakura– our memories of bloom, which were respectively the prior two years commissions for the National Cherry Blossom Festival.

During the final performance at the National Gallery of Art, two of the three composers of National Cherry Blossom Festival commissions were present.  Michael Djupstrom had performed with the 6821 Quintet for a couple of years, but also composed Songs of Spring for the 2016 Cherry Blossom Festival.  Mr. Djupstrom commended the 6821 Quintet for their remarkable cohesiveness in their artistry, especially since they only perform together one week a year.


Kunihiko Murai had written over 300 songs and 30 film scores, so composing a tone poem like Sakura on the Potomac was a new adventure.  Mr. Murai revealed that he associated lyrics in his head for Sakura on the Potomac but did not reveal them.  The composer, however, noted that he was inspired by the T.S. Eliot quotation “April is the cruelest month, breeding lilacs out of the dead land”.  This seems apt as the blossoming of the Sakura on the Potomac signals Spring in the District of Calamity (sic), a.k.a Washington, DC.


Meng Wang, Kunihiko Murai, Clancy Newman, Eric Silberger, Jason Solounias, Mayu Kishima
The 6821 Quintet pose with Sakura on the Potomac composer Kunihiko Murai 

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